Agnes Mezosi
Kiskunfélegyháza, Hungary
Architecture & Interior | Fine Arts
My passion lies in capturing the intersection of abstract geometry and architecture. In my work, I highlight the clean lines and forms of architectural details, adhering to the principle of "less is more". My minimalist compositions reflect the aesthetics of the Bauhaus school, with a particular emphasis on simplicity and functionality.
My photographic eye is especially drawn to the iconic buildings of Marcel Breuer. Through my lens, I aim to present these modernist masterpieces from new perspectives, showcasing their timeless beauty and structural elegance.
Geometric shapes, the interplay of light and shadow, and the textures of materials dominate my images. By isolating details and creating focused compositions, I strive to reveal the hidden beauties of architecture that often escape the everyday observer's notice.
If you're also captivated by the pure beauty of architecture and geometry, and would like to see it captured from a unique viewpoint, feel free to contact me.
My passion lies in capturing the intersection of abstract geometry and architecture. In my work, I highlight the clean lines and forms of architectural details, adhering to the principle of "less is more". My minimalist compositions reflect the aesthetics of the Bauhaus school, with a particular emphasis on simplicity and functionality.
My photographic eye is especially drawn to the iconic buildings of Marcel Breuer. Through my lens, I aim to present these modernist masterpieces from new perspectives, showcasing their timeless beauty and structural elegance.
Geometric shapes, the interplay of light and shadow, and the textures of materials dominate my images. By isolating details and creating focused compositions, I strive to reveal the hidden beauties of architecture that often escape the everyday observer's notice.
If you're also captivated by the pure beauty of architecture and geometry, and would like to see it captured from a unique viewpoint, feel free to contact me.