Avatar image of Photographer Farzan S.

Farzan S.

Surrey, BC, Canada

Food & Still Life | Conceptual & Advertising

Commercial photographer and director based in Surrey, BC, producing for brands and agencies across Canada. I work across product and packaging, food and beverage, people, and motion. I work from a purpose-built 2,000 sq ft studio in Campbell Heights — a 12’ × 24’ cyclorama with 24-foot ceilings, industrial power, an 8’ × 10’ loading door for direct product intake, and an on-site commercial kitchen with refrigeration and prep space, so food is plated at service quality rather than transported. Stills and motion come out of the same session where a brief calls for both, so campaign assets share one visual direction instead of being assembled from separate shoots. For high-specular work — glass, foil, metallic packaging — I use cross-polarization, colour-calibrated capture, and focus stacking where edge-to-edge sharpness matters. Clients direct remotely as often as in person. Live-tethered capture and real-time proofing mean an art director anywhere in the country sees frames as they’re made.

EXPERTISE

Professional

STUDIO

Yes

POST PRODUCTION

Yes

VIDEOGRAPHY

Yes

MORE

Commercial photographer and director based in Surrey, BC, producing for brands and agencies across Canada. I work across product and packaging, food and beverage, people, and motion. I work from a purpose-built 2,000 sq ft studio in Campbell Heights — a 12’ × 24’ cyclorama with 24-foot ceilings, industrial power, an 8’ × 10’ loading door for direct product intake, and an on-site commercial kitchen with refrigeration and prep space, so food is plated at service quality rather than transported. Stills and motion come out of the same session where a brief calls for both, so campaign assets share one visual direction instead of being assembled from separate shoots. For high-specular work — glass, foil, metallic packaging — I use cross-polarization, colour-calibrated capture, and focus stacking where edge-to-edge sharpness matters. Clients direct remotely as often as in person. Live-tethered capture and real-time proofing mean an art director anywhere in the country sees frames as they’re made.

EXPERTISE

Professional

STUDIO

Yes

POST PRODUCTION

Yes

VIDEOGRAPHY

Yes

MORE
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