Farzan S.
Surrey, BC, Canada
Food & Still Life | Conceptual & Advertising
Commercial photographer and director based in Surrey, BC, producing for brands and agencies across Canada. I work across product and packaging, food and beverage, people, and motion.
I work from a purpose-built 2,000 sq ft studio in Campbell Heights — a 12’ × 24’ cyclorama with 24-foot ceilings, industrial power, an 8’ × 10’ loading door for direct product intake, and an on-site commercial kitchen with refrigeration and prep space, so food is plated at service quality rather than transported.
Stills and motion come out of the same session where a brief calls for both, so campaign assets share one visual direction instead of being assembled from separate shoots. For high-specular work — glass, foil, metallic packaging — I use cross-polarization, colour-calibrated capture, and focus stacking where edge-to-edge sharpness matters.
Clients direct remotely as often as in person. Live-tethered capture and real-time proofing mean an art director anywhere in the country sees frames as they’re made.
Commercial photographer and director based in Surrey, BC, producing for brands and agencies across Canada. I work across product and packaging, food and beverage, people, and motion.
I work from a purpose-built 2,000 sq ft studio in Campbell Heights — a 12’ × 24’ cyclorama with 24-foot ceilings, industrial power, an 8’ × 10’ loading door for direct product intake, and an on-site commercial kitchen with refrigeration and prep space, so food is plated at service quality rather than transported.
Stills and motion come out of the same session where a brief calls for both, so campaign assets share one visual direction instead of being assembled from separate shoots. For high-specular work — glass, foil, metallic packaging — I use cross-polarization, colour-calibrated capture, and focus stacking where edge-to-edge sharpness matters.
Clients direct remotely as often as in person. Live-tethered capture and real-time proofing mean an art director anywhere in the country sees frames as they’re made.